Two miles northwest of downtown Milwaukee, 21st Street and West Garfield Avenue frame a small plot of publicly owned land. It’s called Alice’s Garden, named after Alice Meade-Taylor, the first African American director of the Milwaukee County Cooperative Extension. Here, crops push from the earth—corn and tomatoes, sunflowers and herbs—surrounded by wood chips, wheelbarrows, and tool sheds. At first glance, it might look like any other community garden.
But this two-acre tract, hemmed in by chain-link fencing, is about more than urban agriculture. It connects two essential movements in Milwaukee’s African American neighborhoods: Black Lives Matter, and a garden movement focused on healing a community traumatized by the racism, abandonment, and day-to-day realities of living in the country’s most segregated metropolitan region.
Jalanah Smith-Rainey, 10, playing in the garden on movie night. "That's my first time seeing a sunflower," she says. |
The garden is in the 53205 ZIP
code and just south of 53206, in an area where male employment
hovers around 50 percent and more than 40 percent of residents live
in poverty. In 2014, when the Annie E. Casey Foundation, a child welfare organization, ranked Wisconsin
the worst state in the country to raise an African American child,
that designation was driven largely by Milwaukee.
Barbara J. Miner
Alice’s Garden is not isolated
from those struggles, but it provides some refuge from them—especially this
summer, when the city experienced its most violent racial unrest in decades.
Central to that sense of refuge is Venice Williams (pronounced “Venus,” as in
the goddess of love and fertility), the garden’s modern-day steward and
executive director.
But the story of Alice’s Garden
is not just about Venice Williams, as she’d be the first to tell you. It’s a
long tale about the land and who lives on it, about justice and injustice, and
about the changing nature of a city that has been tormented in recent decades
by a loss of industry, and joblessness, and racism.
It’s a cloudless Monday night in early August. Families gather at
the garden, unfolding lawn chairs and spreading quilts as gardeners tend nearby
plots: watering corn, picking peppers, weeding the peanut patch. Ning Thao, a
Hmong gardener, is packaging green onions she’ll sell at a farmers’ market the
next day. It’s the garden’s first Family Movie night—a screening of Disney’s Zootopia.
The DJ plays a final song while children dance on the makeshift stage. And
then, at sundown, Williams addresses the audience—a diverse crowd of people,
many whom have never visited before.
Venice Williams. |
“Who we are in Milwaukee, it’s
here,” she says. “The garden is not just about growing food, but growing the
health and wellness of our community.”
Five days later, her words will take on added importance. On Saturday August 13, Dominique Heaggan-Brown, a Milwaukee police officer, shoots Sylville Smith, a 23-year-old black man, after a traffic stop. The killing sets off the city’s worst racial unrest in half a century—angry crowds who will not be mollified, random gunfire, a squad car ransacked and burned, eight businesses torched.
One of the businesses is MJM
Liquor. According to
witnesses, shortly after 2 a.m., six cars stop at the store. Three
or four people get out of each car; they burglarize the store, then set it on
fire. The incident happens just three blocks from Alice’s Garden.
After urban farmer Will Allen won a MacArthur “genius” grant in
2008 for his work at Growing Power,
Milwaukee became recognized for the strength of its agriculture movement, in
which a new generation of green-thumb activists linked wholesome food to racial
equality. For years, Alice’s Garden played a role in that mission. But after
the 2012 killing of Trayvon Martin—the 17-year-old black teenager whose death
galvanized the Black Lives Matter movement—the garden pivoted.
“At that moment, when we chose
to address that issue,” says Williams, “we turned a corner in terms of the
purpose of Alice’s Garden.”
After George Zimmerman, Martin’s
killer, was found not guilty in 2013, Williams hosted a showing of the film Fruitvale
Station, which tells the true story of Oscar Grant, a black man who was
fatally shot by an Oakland transit cop. The post-screening discussion featured
an unorthodox twist: only the African American men in attendance were allowed
to speak.
“For many of them, it was the
first time they felt fully heard,” Williams told
the Milwaukee Journal-Sentinel. “I’m still hearing from grown men about
how powerful that night was for them.”
Meanwhile, gardening continues.
There are 122 rental plots at Alice’s Garden, ranging from 8-by-16 feet for $15
a year, to 32-by-16 feet by $50 a year. The plots are rented by 90 different
families or community groups, from youth groups to churches. Some gardeners are
well past retirement age, some are teenagers. Some are gardening for the first
time; others have been working land in one form or another for their entire
lives.
A 54-year-old lay Lutheran minister with a theology degree from
Valparaiso University in Indiana, Williams says her mandate includes the
spiritual.
“We use gardening as the carrot, pun intended, to get people to walk through that gate,” she says. “But we want to impact their entire quality of life. We’re talking about physical health, spiritual health, and the health of the community as we deal with issues of social justice.”
Williams has expanded the
garden’s programs to include an array of initiatives–from potluck dinners to
yoga in the garden, music concerts, back-to-school clothing swaps, labyrinth
walks, herbal apprenticeships, summer job programs for teens, batch cooking
classes, and working with Marquette University on production of rice varieties
able to withstand Wisconsin winters, including varieties from Africa. Williams
estimates that last year, about 5,200 people visited or took part in programs at
the garden. To complement the work done there, several years ago she started
the Body and Soul Healing Arts Center, which operates year-round at a former
Lutheran church.
With predominantly African
American heritage but also some Choctaw through her great-grandmother, Williams
feels a particular connection and responsibility to the land at Alice’s Garden.
“The complexity of this piece of land, I don’t even try to explain it,” she
says. “But it’s very real to me.”
Talk to her for more than a few minutes and it’s clear that land, history and ancestors are ever-present forces in Williams’s life. She’ll often tell a story, jumping back and forth through time to eventually make her point. Take for instance, the story of her daughter’s name, Sojourner.
Williams grew up in Pittsburgh
and in the summer she would visit relatives in Battle Creek, Michigan. “Going
to Battle Creek was like watching paint dry, and one summer, I think I was ten
or eleven, I told my aunt I was bored,” she says. Her aunt gave her a book to
read, the autobiography of Sojourner Truth, the abolitionist and women’s rights
activist. “When my aunt came back later that day, she found the book on the
kitchen table and asked why I hadn’t read it,” she says. “I told her I’d
already finished it.” A few days later, Williams’s aunt took her to Sojourner
Truth’s grave in Battle Creek. “After I saw that grave, I said, ‘If I ever have
a girl, I will name her Sojourner.’”
The modern-day story of Alice’s Garden began in 1832, when the
defeat of Sauk leader Black Hawk signaled the end of armed Native resistance in
what is now Wisconsin. In 1833, the Treaty of Chicago turned over Native lands
to the U.S. federal government, allowing white settlers to move into the
region.
One key moment started early on
the cold and grey morning of December 4, 1834. Samuel Brown and two companions
took a narrow Native American trail north from what is now Chicago, reaching a
trading post in what is now downtown Milwaukee four days later. Brown was one
of the first white settlers in southern Wisconsin and became a leading figure
in the growing Milwaukee settlement. Among his holdings was a farm on the
city’s outskirts, on land that today is the home of Alice’s Garden.
Brown made another mark on
history. On July 4, 1842, Caroline Quarlls, a 16-year-old fugitive slave from
Saint Louis, reached Milwaukee, having traveled by steamboat and stagecoach.
But bounty hunters were on her trail and she knew she had to continue to
Canada. To elude her captors, on her final day in Milwaukee she was hidden in a
barrel. A deacon in the Presbyterian Church and a deeply religious man, Brown
picked up the barrel and took Quarlls to his farm for safekeeping. The next
evening he hid her in his wagon and they set out for a farm in Pewaukee,
several hours away. Weeks later, guided from one abolitionist home to the next,
Quarlls arrived in Sandwich, Ontario. Hers was the first documented
case of a runaway slave reaching freedom via Wisconsin’s Underground
Railroad.
Over time, the land changed.
Cities swelled across the country, and Milwaukee grew up, too. Brown’s farm was
swallowed by development. German immigrants dominated the neighborhood for many
decades, but that changed with the Great Migration of southern black people to
the industrial north. Though Milwaukee’s Great Migration was several decades
behind Chicago’s and Detroit’s, it no less shaped the city. In 1930, black
residents were less than 2 percent of the city’s population. Today, they make
up about 40 percent of the city’s roughly 600,000 people. Predatory housing and
real estate practices have long restricted the African American population to
certain neighborhoods, including where Brown’s farm had been.
In the 1960s and 70s, African American communities bore the brunt
of eminent domain policies and an “urban renewal” effort to bring a network of
freeways to Milwaukee. In the 1960s, a north-south freeway tore in half the
historic Bronzeville neighborhood. Then plans were developed for a downtown
freeway heading northwest—right through what had been Brown’s farm. Homes were
demolished, trees razed and an entire neighborhood destroyed—all
for a freeway project that in 1972 was ultimately abandoned. The empty lots,
however, remained.
After the abandoned freeway
project, Milwaukee County maintained ownership of the razed land. Alice’s
Garden was inaugurated in 1972, but like much of the central city it was an
afterthought, given minimal attention and funding. Then Venice Williams entered
the picture.
Williams came to Milwaukee on a
summer internship in 1988, thinking she would ultimately move on to work in
Africa. But, like her stories, her life is ever unfolding. “There is nothing
about my life that has ever been linear and I hope there never will be,” she
says.
She became involved in the
garden about 12 years ago through her husband Demetrius Brown, a Milwaukee
native whose family came to the city during the Great Migration. Brown works
with urban teens as part of 4-H Youth Development for Milwaukee County,
affiliated with the University of Wisconsin-Extension, and had a project at the
garden.
“That first year I came in
thinking I would plant right away,” Williams says. “I saw these tall mounds in
the corner, and I thought it was soil. But it was trash. So that first year all
I did was deal with those mounds and apologize to the land for its condition.”
Beyond Williams’s vision and
drive, the garden’s transformation is due to two main factors: the support of
Lutheran churches, and a public-private initiative to transform the 13-acre
Milwaukee County Johnsons Park, of which Alice’s Garden is the northwest tip.
“This place would not exist
without Lutheran money,” Williams says of the garden, ticking off a list of
Lutheran-funded projects, from the porta-potty to the yoga instructor.
The development of
Johnsons Park, meanwhile, was made possible through a $3.2 million
project that began in 2009, spearheaded by the Wisconsin-based Center for
Resilient Cities. Almost half a million dollars went into Alice’s Garden. Trees
were planted, running water installed, and basic infrastructure built: picnic
tables and shelters, tool sheds, and a cyclone fence.
In the early evening of Thursday, August 18—four days after
Milwaukee’s violent unrest and two days before another potentially tumultuous
weekend—women of various ages and races gather at Alice’s Garden for a full
moon ceremony and campout. The evening was billed to pay homage to fertile
crops and “to honor the fullness within.”
But the week’s events have forced a shift in tone and focus. “We need
healing,” Williams says.
A burned-out gas station from the Sherman Park protests. |
The almost three-hour ceremony
involves a range of spiritual and cleansing rituals, many of them based in
Native American traditions and all with an emphasis on renewal and forgiveness.
The formal activities end with a potluck dinner.
Shortly before 10 p.m., the full
moon makes its way above tree line, its rays forming soft shadows. The sounds
of basketballs bouncing at a nearby playground mix with the chirps of crickets.
People break into various small groups–some teens make chalk drawings, some
women linger over the campfire, a few lay out sleeping bags while others,
especially the older women, head home.
I find myself sitting next to
Linetta Davis, a 41-year-old African American woman who is dean of students at
a Milwaukee middle school. Neither of us is sure if we will stay the night, but
we’re not in a hurry. Perhaps it’s the residual effects of the ceremony,
perhaps it’s the stillness of the moon. But Davis takes her time explaining how
she became involved in the garden, showing little hesitation even though she
and I are strangers.
Davis goes back about a decade
with Williams, first working with her on a program for African American young
men, “Safe in My Brothers’ Arms.” She admits that gardening “is not my thing,”
but her 8-year-old daughter, Zora, loves Alice’s Garden. Davis is also a member
of The Table, a
“first-century-style community in the twenty-first century” that is based at
the garden and recently became part of the Lutheran Greater Milwaukee Synod.
I ask Davis to describe the
garden’s essence. She pauses before answering. “This is the only place in the
city, honestly, where our differences aren’t that prominent,” she says. “And
I’m not talking from a color-blind perspective … You can’t ignore race. But
it’s not the first thing that enters your mind when you come here.”
“This is almost like an oasis,”
she continues. “I wouldn’t just come to this neighborhood and hang out at
night. I wouldn’t do that within a two-mile radius of this place. But here,
it’s safe.”
We continue talking, and a few
minutes later we hear gunshots. Not particularly loud, and not particularly
close. But clearly gunshots. I pretend to ignore them. Davis doesn’t.
“Like right now, we’re in this
oasis and we’ve just heard gunshots. The contrast is …” Her voice trails off.
“I don’t know how to articulate that.”
We talk a few minutes more. “You
know,” she says as our conversation ends, “you can come here and forget about
the chaos. Even if it’s just for one night.”
Williams, meanwhile, is looking
not just to heal the present but to also build the future. What would she like
to see at the garden in 5, 10, 20 years? “Oh my god,” she begins, then rattles
off a wish-list: a year-round educational facility, food trucks, year-round
jobs at the garden, more gardens on empty lots from the never-built freeway,
the garden as a tool to revitalize the neighborhood, to build a less-segregated
Milwaukee.
But Williams also knows that, as
in the past, the land will be shaped by events impossible to predict. The
garden, she says, “will always be available to meet the needs of the community.
It’s that simple.”
This article was originally published in The New Food Economy on September 13, 2016.
This article was originally published in The New Food Economy on September 13, 2016.